Guest post by Richard Michael Cartmel, author of 'The Charlemagne Connection'
The Writer’s Life Blog
The Writers’ Lives?
The title at the
top tells the story - where to put an apostrophe? Once I had written The Richebourg Affair, I knew what I had
intended to write, but was that what I had written? I was so close to it I
couldn’t even see the punctuation mistakes. It had taken the best part of a
year to write. It had taken me down all sorts of blind alleys, and if the effort
it had taken me to drag it back out again, kicking and screaming, was to have
been worth the bother, the manuscript needed to be seen by an editor. At that
point I found an advertisement which asked whether I had written a book, and if
I wanted to know if it was any good, to call this number. I duly called the
number. Half an hour later, having been promised all sorts of things including
a Hollywood contract, I thought, hang on a moment, you haven’t even asked about
the book yet. I suppose everyone’s been there, but the moral of that story is
don’t ever sign the first deal you come across. I was chatting to a friend from
my student days, and she remarked that her other half had also written a book,
and he had found an editor, called Sarah, who was delightful, and gave me her
number. Sarah and I met and drank tea together. For an inveterate coffee and
wine drinker, I seem to drink an awful lot of tea at important moments.
Following the consumption of tea, she agreed to read a chapter or two, and see
what she thought. A couple of days later, I got an e-mail asking me to send the
rest. This I did. A couple of days after that I got another e-mail saying that
she was willing to edit the manuscript, and that if I wanted to become a
mystery writer, then I ought to go to Crimefest in Bristol, and meet other
mystery writers, and as I had nothing particularly on that weekend, I did. That
was an extraordinary experience, seeing in the flesh and talking to all sorts
of people whose photos I had seen on the back covers of books I had enjoyed so
much. I also found out that mystery writers are such a helpful and gentle
group, and are always ready to help a newbie, even those, like me, of a certain
age. Jeff Siger springs to mind, who sat down at my breakfast table that
weekend and asked about me, and how I was doing. Bill and Toby Gottleib from
Los Angeles suggested I went to Left Coast Crime the following March. It was
being held in Monterey in California, and as I had never yet seen the Pacific
Ocean, I thought that would be something to do. Meanwhile Sarah and I were
working on polishing Richebourg, and
I was also writing its sequel, The
Charlemagne Connection. We were also trying to find a market for Richebourg, and an agent. There were a
number of ‘nearlies’, where those who asked for a complete book but then never
came back.
At Monterey, I
was sitting in the bar listening to a couple of people talking, when I was
aware of a different conversation behind me. Someone had walked in off the
street brandishing a manuscript and was hitting, fairly forcefully, on an
unfortunate woman behind me. I turned round, and spoke to him firmly, sounding
completely different than everyone else, being an Englishman in California, and
stopped him in his tracks. When he finally left mumbling with his manuscript in
his hand, the victim of the plot asked me who I was and should we know each
other? Today Maryglenn McCombs is the publicist for Crime Scene Books.
It was at that
moment when Sarah was looking through Charlemagne,
that she revealed another string to her bow, that she was also a publisher, of
an eclectic range of non-fiction books. She had also been commissioned to write
a ‘How To’ book about crime fiction, which was being edited prior to
publication by Robinson. She had decided to start publishing mysteries under a
new imprint when the right book turned up. She offered to publish my books as
Crime Scene Books. My reply must be fairly obvious, as that’s their home now.
I have to say
that The Richebourg Affair appears to
have been an extremely lucky book. Everywhere I was appeared to be the right
place at the right time, and this year in Portland OR both Sarah and I were at
Crimelandia 2015, she signing How to
Write Crime Fiction, and me signing Richebourgs.
Since then The Charlemagne Connection
has appeared, and I am half-way through
writing the third book in the series, The Romanée Vintage.
My secret? Be
Lucky!
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Title: THE CHARLEMAGNE CONNECTION
Genre: Mystery
Author: Richard Michael Cartmel
Website:
www.rmcartmel.com
Publisher: Crime Scene Books
The
Charlemagne Connection, Cartmel’s latest mystery, is an exhilarating tale of
villainy in the vineyards featuring the rumpled but shrewd Inspector
Charlemagne Truchaud of the Paris police.
About The Charlemagne Connection: Something sinister is afoot
in the charming little Burgundy village of Nuits-Saint-Georges. Inspector Truchaud will have an elaborate
mystery to unravel when a young German tourist goes missing in
Nuits-Saint-Georges. What appears, at
first, to be a straightforward case takes a dark turn when a decomposing body
is found in the woods….
A
captivating tale that transports readers to the vineyards of Burgundy, The Charlemagne Connection crackles with
suspense. Smart, seamless, and sensational, The
Charlemagne Connection blends a to-die for setting, a well-balanced,
full-bodied plot, and irresistible characters. Celebrated novelist R.M.
Cartmel uncorks a wild, witty, and winning wine mystery in The Charlemagne Connection.
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Born into a military family, R.M. Cartmel was educated at Sherborne School in the South West of England and at Oxford. Cartmel served as a practicing doctor for over three and a half decades. As a novelist Cartmel combines two of his lifelong loves—writing and traveling throughout France’s exquisite Burgundy region.
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