THE IMPORTANCE OF COSTUMES
By Linda Schroeder
How much attention do you, as a reader, pay to descriptive details of what a character is wearing? I know sometimes I read rapidly to find out what’s going to happen. Then, when I re-read the story, one of the things I focus on is how the characters are dressed.
I recently saw the play Allegiance. It’s the story of the Japanese interment by the U.S. government during WW II. As I watched it I had the feeling that something major was not working. I’ve been to Manzanar, one of the interment sites in California. It is now flattened, with only spaces where the buildings were, but clearly it was not a comfortable place. Not a holiday. But the costumes the actors wore were ironed and clean and USO like. I couldn’t feel the sadness of people in desperate conditions when they were wearing clean and shiny clothes.
I put clothes on characters that reflect something basic about them.
After I had a first draft of Artists & Thieves the easiest things to rewrite and clarify were descriptions. I knew exactly who the characters were and what I wanted a reader to know about them. One of my friends said, “Why did you dress Mai [the heroine] the way you did? You don’t dress anything like that.” Well, yeah! I am not Mai anymore than I am the smuggler, the art critic, or the artist Angelo. I dressed Mai the way I did because she is young, Chinese, wealthy and, when she’s not a thief, she displays a public image of a successful artist. Angelo, on the other hand, an emotional artist, wears clothes that reflect his mood. He always dresses as he feels:
“Mai was wearing a yellow Valentino sundress, one she usually wore on vacation, one that outwardly conveyed a certain air of happiness and hope even though inside she felt deeply worried about her grandfather.”
“Angelo wore an indigo Armani shirt, a color neither blue nor violet, and Mai sensed from it his anxiety and stress. He was definitely somewhere between blue and violet.”
And a quick look at my art critic should give you a clue about where I was headed with him:
“With precisely cut gray hair, thin face, pale high cheekbones, and three piece gray suit with a maroon carnation in the lapel, he reminded Angelo of Oscar Wilde’s Dorian Gray, an elegant facade for an evil soul.”
Costumes, even briefly described, should provide subtle clues for readers. And authors think them up for good reasons. No fair skipping over them in a rush to find out what happens next.
* * *Artists & Thieves, she has published a college text.
Her early interest in English expanded to include language disorders and she began a second career as an audiologist and aural rehabilitation therapist working with deaf and hard-of-hearing children and adults.
You can visit her website at www.artistsandthieves.com.