Interview with Robert Steven Williams, author of My Year as a Clown
Since leaving the music-biz executive ranks, Robert Steven Williams has put in his 10,000 hours. His first novel, My Year as a Clown, released on the indie imprint Against the Grain Press, received the silver medal for popular fiction from the Independent Publisher Book Awards in 2013. Robert was also a finalist in the Raymond Carver Short Story Contest and was awarded the Squaw Valley Writers Community Thayer Scholarship. His short fiction has appeared in Carve Magazine, The Orange Coast Review, and the anthology Tall Tales and Short Stories Volume II. He was the executive producer of the critically acclaimed BOOM! Studios CBGB Comic series. He wrote story seven in Book 3. In August of 2011, the series was nominated for a Harvey Award for Best Anthology. He’s attended Bread Loaf, Sewanee and the Squaw Valley Writers’ Conferences. He’d worked closely with the esteemed fiction writer, Barry Hannah. Robert’s work has also appeared in Poets & Writers Magazine, Billboard, USA Today and LetterPress, a newsletter for writers. He is co-author of the best-selling business book, The World’s Largest Market. Robert Steven Williams is also a musician and songwriter. In 2005 he released the critically acclaimed CD “I Am Not My Job,” featuring Rachel Z (Peter Gabriel, Wayne Shorter) and Sloan Wainwright. He studied songwriting with Rosanne Cash, Jimmie Dale Gilmore, and several top country writers. The song, The Jersey Cowboy, was featured on NPR’s Car Talk. Robert was the subject of the documentary by Jason Byrd Round Peg, Square Hole.
Q: Welcome to The Writer's Life, Robert. Can
you tell us a little bit about yourself and how long you’ve been writing?
A: I was a
senior vp in a division of EMI Music Group. I got into the biz because I loved
words and melody, but with each promotion I was elevated further and further from
the music. At some point I realized I might as well be selling toothpaste.
That’s when I realized I needed to make a mid-career pivot.
I read. I
wrote. I attended workshops, conferences and writers groups. I wrote more. I
studied with Barry Hannah, James Houston, and Jimmie Dale Gilmore. Each became
a friend and played important roles in helping me find my voice. Joy
Johannessen, an editor who worked with authors like Alice Sebold, Michael
Cunningham and Amy Bloom, also provided support and encouragement.
It still
took 15 years to release My Year as a Clown. I amassed hundreds and hundreds of
‘no’s’ from the world’s very best publishers, agents and literary journals,
some of the most obscure too. Despite these obstacles, I never stopped writing.
Winning the 2013 silver medal for popular fiction from the Independent Publisher
Book Awards was great validation of the effort.
Q: Can you please tell us about your book and why
you wrote it?
A: My Year
as a Clown chronicles a year in the life of Chuck Morgan where day one is the
spectacular, but brutal break-up of his 20-year marriage when his wife tells
him she’s leaving for another guy. But the book is really about second chances,
the opportunity to reinvent oneself, as well as reconnect with family and
friends.
Initially,
Chuck worries he’ll never have a relationship again, that he could stand in the
lobby of a brothel with a hundred dollar bill plastered to his forehead and
still not get lucky. But as his emotionally raw, 365-day odyssey unfolds, Chuck
gradually relearns to live on his own, navigating the minefield of issues faced
by the suddenly single—new routines, awkward dates, and even more awkward sex.
I wrote this book as therapy, as a way of working out what had happened in my own divorce. But I never entertained writing a memoir. I prefer fiction because you don’t have to worry about being factually correct, and yet, a fiction writer still needs to remain emotionally honest.
Q: What were some of the biggest challenges you
faced writing it?
A: As I was
saying in question one, having the courage to be honest is no easy task, and
many writers cut corners, avoiding the stuff that really counts. Honesty is
different from being factual. What happens to Chuck is a combination of stories
from friends, acquaintances, even strangers, plus a splash of my own experience
and imagination. The result is a fictional account of a man, humiliated by infidelity,
trying to regain his footing.
I wrote My
Year as a Clown in first person, present tense to give the reader that sense of
being in the front car of a rollercoaster. This immediacy puts you in Chuck’s
head. This meant providing an unfiltered connection into his thoughts and that
can be disconcerting because of its visceral rawness. It also gave me the
opportunity to play with the unreliable narrator—what Chuck is thinking and
saying isn’t necessarily what’s happening. As the writer, my job was to
misdirect at the right times, but also inject other points of view when
appropriate through letters, emails and conversation to counter the impression
created from Chuck.
As a writer,
that’s huge responsibility: clarity about uncertainty and confusion.
Another
challenge: the book follows the 2003 Philadelphia Eagle season and the facts of
that season had to be accurate, as did the historical team references. The
football parts helped me explore themes about loyalty and commitment, two big
issues Chuck is questioning now that his wife has left with another man. Football
also gave me the opportunity to delve into how a sports obsession affects
relationships.
Q: Do you have a press kit and what do you include
in it? Does this press kit appear online
and, if so, can you provide a link to where we can see it?
A: I have a
website that details all of
my creative projects including a comprehensive section on the novel. You’ll
find blurbs and the promotional video.
There’s a section titled FAQs,
where I address issues on faith, relationships, the rabbi weed (Chuck buys weed
from a rabbi), and much more on how I created Chuck’s world. There’s also a tab
with alternate
book covers. Think of this bonus material as the second disc in a DVD.
Q: Have you either spoken to groups of people about
your book or appeared on radio or TV?
What are your upcoming plans for doing so?
A: I did
numerous radio and press interviews nationally and locally (visit press
page for some links). I also did a couple of book clubs and readings.
I’m a
singer/songwriter and I often read from my book at those events because Chuck
also wrote a song for the yoga instructor that he falls hard for in the book. I
read for a bit during the show, then I play Chuck’s song. My site details a lot
of the background on this. I should mention that the Irish singer/songwriter
Declan O’Rourke produced the track and lent me his band to record it. Next year
he’s going to produce a full album of my songs.
Q: Do you have an agent and, if so, would you mind
sharing who he/is is? If not, have you ever had an agent or do you even
feel it’s necessary to have one?
A: I’m sure
an agent would be helpful, and I would be open to working with someone, but I
stopped looking three years ago and focused on getting the book out myself. My
Year as a Clown got the love and attention that most publishing houses don’t
provide these days for first-time fiction authors because I assembled an
experienced team to help, including Joy (editing). I also hired experts to do
the digital conversion and cover. I have a great distributor: InScribe Digital.
I guess my days in the music biz were useful when it came to figuring out this
stuff. Winning the silver medal for popular fiction from the Independent
Publisher Book Awards was validation. We beat out University Presses and small
publishing houses from around the world.
Q: Did you, your agent or publisher prepare a media
blitz before the book came out and would you like to tell us about it?
A: I hired
a publicist, a radio promo person and we did a great website and promotional video. Amazon choose
my book a couple of times for holiday promotions. We’re now reviewing phase 2 marketing
plans to figure out how to elevate this to the next level.
Q: Do you plan subsequent books?
A: I’m
completing The Sound of Money now, a story about a struggling songwriter that
gets mixed up with the mob. I’ve also got some short stories looking for homes.
As I mentioned, I’m looking at a new album next year. I’m also making a
documentary about F. Scott Fitzgerald’s time in Westport, CT back in 1920. I’ve
lived in Westport for over 20 years and the town has a rich historical
tradition dating back to the Fitzgeralds.
BTW: I set My
Year as a Clown in Putnam’s Landing because another Westport writer, Max
Shulman set Rally Around the Flag Boys! in
PL (which was really Westport in 1957—Clown is Westport 2003). Incidentally,
Rally was made into a movie starring Joanne Woodward and Paul Newman (both with
deep roots here in Westport).
Q: Thank you for your interview, (robert). Would you like to tell my readers where they
can find you on the web and how everyone can buy your book?
A: You can
find me at RobertStevenWilliams.com.
You can also google Robert Steven Williams or My Year as a Clown and lots of
links pop up. The novel is available wherever fine digital books are sold
around globe. Here’s the US Amazon
link.
Leave a Comment